You bring the talent
You write, draw, shoot, compose, code or perform. You may only have an idea. That is enough to start.
People × Technology × Nature × Markets
Rise from creator to creative entrepreneur.
Where creativity, technology and enterprise converge to build a more human, sustainable and prosperous world.
12A · 80G · NGO Darpan RegisteredDPIIT Startup India · IEC · Udyam · SEPC Member · 80G tax benefitSide A · Intro · Read this first
Start with who you are
New here? Start here
India has some of the world's best storytellers, but most of them work for others and never own what they make. CINICA Creators Council is a non-profit that changes that, in three simple steps.
You write, draw, shoot, compose, code or perform. You may only have an idea. That is enough to start.
Training, real labs, mentors from the industry, legal help to protect your idea, and a path to funding.
Your story becomes a product people pay for: a film, a game, a series, an album. The rights stay with you.
Who is it for?
Creator Academy · free
Eight two minute lessons every creator should know. Read one, answer one quick question, and watch your progress grow. Come back any time: your progress is saved on this device.
You finished all eight lessons. Make it official with your Creator Pass.
Free for everyone, everywhere
Industries, funding sources in India and abroad, country guides, IP and law, technology, careers and business: everything a creator needs, in plain words, with links to the official sources. Every road leads to Cinematica Expo® 2026, where you meet the people behind it.
Where it all comes together
12 & 13 December, Hyderabad. Studios, funds, platforms, governments and creators from many countries on one floor.
CINICA Creators Council · The 2026 album
Who we are, and why India’s stories can win the world.
About CINICA Creators Council
Rise from creator to creative entrepreneur.
Registered & recognised
SEPC MemberServices Export Promotion Council · Ministry of Commerce & IndustryCINICA Creators Council is the global platform for cinematic convergence.
We are a Section 8 non-profit, registered under Sections 12A and 80G of the Income-tax Act and on NGO Darpan (NITI Aayog), recognised by DPIIT under Startup India, holding IEC and Udyam registrations, a member of the Services Export Promotion Council (SEPC), headquartered in Hyderabad, building the infrastructure where film, animation, VFX, gaming, comics, AI, XR, motion capture, virtual production and creator enterprise work as one economy.
Five groups. One creative economy.Our work connects people who rarely sit in the same room.
The outcomeWe run labs, skill programmes, incubation, research and India's convergence expo. Everything we build serves one outcome: original storyworld IP, owned by Indian creators, travelling to every screen in the world.
The convergence thesisSix crafts. One language: cinema. Every format below is a different way of telling a story on screen, and every one of them is a business a creator can own.
are interactive cinema
The audience holds the camera and writes the ending.
Leads toGame IP · live worlds · esports
is stylised cinema
Any world, any era, with no limits of location or cast.
Leads toSeries · features · kids IP
are sequential cinema
The first storyboard of an idea, and the cheapest proof of an IP.
Leads toGraphic novels · webtoons · film rights
is spatial cinema
Stories you step inside, instead of watching from outside.
Leads toImmersive venues · heritage · tourism
is performance cinema
Every move an actor makes becomes a reusable digital asset.
Leads toDigital humans · games · VFX
is computational cinema
Previs, dubbing and worlds made in hours, directed by artists.
Leads toPrevis · localisation · creator tools
Storytelling has moved through three economies. The fourth is being built now, and India can lead it.
Cinema as a factory. One screen, vertically integrated studios, star systems.
The blockbuster. Sequels and expanded universes turn IP into an economic engine.
Streaming and creator platforms. Distribution itself becomes the business.
Stories live as persistent worlds across film, games, XR, comics and AI, co-created with audiences.

WHOOSH!Every world starts as a sketch.PANEL 01

POW!Comics are pre-visual cinema.PANEL 02

ZAP!Step inside the story.PANEL 03

ACTION!Lights. Camera. Worlds.PANEL 04
Bharat storyworld capital
India's advantage is its story civilisations: epics, regional traditions and living mythology that no other nation holds in such depth. We turn that heritage into IP systems built for global screens.
In simple words: India has thousands of years of great stories. We help creators turn them into films, games and shows that people around the world will pay to watch, and the creators keep the rights.
We document epics, oral traditions and regional mythology with the communities that hold them.
Myth becomes an ownable universe: story bible, characters, canon and rules that work in every format.
Concept art, animatics and AI previs show the world before a single rupee is spent on production.
Hybrid Filmmaking™ brings virtual production, motion capture and VFX onto one pipeline.
One IP, many screens: film, games, XR, OTT, merchandise and fan economies worldwide.
Value grows at every stage and stays with Indian creators. That is the difference between selling a service and owning an IP.
Story vaults
The original multiverse: rival dynasties, moral war, a franchise of 100,000 verses.
BecomesSaga films · strategy gamesA hero journey loved across Asia, with ready audiences in a dozen countries.
BecomesAnimated features · global co-productionsAnimal tales of wit and strategy, made for young audiences everywhere.
BecomesKids series · learning appsLove, war and landscape poetry over 2,000 years old, unseen on global screens.
BecomesPrestige drama · art filmsAn ocean of interlinked tales, built for episodic storytelling.
BecomesAnthology series · webtoonsA riddle in every episode, a ready format for audience play.
BecomesMystery series · puzzle gamesVillage gods, guardian spirits and local legends in every state.
BecomesHorror · fantasy · XR heritageStories still performed today, carrying built in fan communities.
BecomesLive events · immersive experiencesOur focus
Every GI Tag is a story waiting for a screen. India's Geographical Indication crafts carry centuries of characters, colours and legends. We turn them into films, series, games and products, and we protect them at every step so the value returns to the communities that created them.
GI Tag · Andhra Pradesh
For about four centuries, artisans in Kondapalli village near Vijayawada have carved light tella poniki wood into bright toys: farmers, brides, gods, elephants carrying royal howdahs. Every Sankranti they come out for the Bommala Koluvu, the festival display of dolls.
A few of India's registered Geographical Indications, and the stories they could become.
Lacquered wooden toys coloured with natural dyes from seeds, bark and leaves.
Story ideaA colour quest: a young artisan travels the forest to find the lost natural colours.
FormatsKids animation · learning app
Translucent painted leather puppets that tell the epics in light and shadow.
Story ideaA shadow theatre troupe whose puppets step out of the screen at night.
FormatsAnimated feature · AR shadow show
Long painted scrolls that narrate legends panel by panel, sung by travelling storytellers.
Story ideaAlready a storyboard: each scroll becomes an episode.
FormatsAnimated series · webcomic
Light wooden toys and paintings in rich colours, from Nirmal in Adilabad.
Story ideaA village fair where every toy guards a secret of the forest.
FormatsStop motion · game
Geometric patterns dyed into thread before weaving, so the design lives inside the cloth.
Story ideaA mystery told in woven codes, where every pattern is a clue.
FormatsMystery drama · costume IP
Hand drawn pen art on cloth showing scenes from the epics and temple lore.
Story ideaA painter whose pen brings mythic panels to life.
FormatsAnimated anthology · art book
A veena carved from a single block of jackfruit wood.
Story ideaA musical journey of one instrument passed through generations.
FormatsMusic film · documentary
Lost wax brass figures made by tribal metalsmiths, an art thousands of years old.
Story ideaA tribal legend of fire and metal, told through living brass figures.
FormatsFantasy film · collectibles
Oil treated ikat cloth once worn by fishermen and royalty alike.
Story ideaSea, trade and romance across the old ports of the Deccan.
FormatsPeriod drama · fashion IP
Smooth lacquered wooden toys from Channapatna, known as the toy town of Karnataka.
Story ideaToy soldiers of a forgotten kingdom wake up to protect a child.
FormatsKids franchise · merchandise
Cloth scroll paintings of Jagannath and the epics with fine borders.
Story ideaA temple festival saga told in moving scroll frames.
FormatsAnimated feature · XR heritage
Bold line paintings of nature, gods and village life, made by women artists.
Story ideaA grandmother's wall paintings become a child's portal to other worlds.
FormatsKids series · picture books
Why protection matters
When a craft becomes a film, a game or a toy line, five kinds of protection work together. Using Kondapalli Bommalu as the example:
Think of it as five locks on one treasure. Each lock guards a different part, and you need all five.
All registrations in India are made with the Office of the Controller General of Patents, Designs and Trade Marks, or the Copyright Office. Terms shown are general; specific works can differ. CINICA's Rights Clinic helps creators and artisan groups file correctly.
Our promise: every Indigenous IP we develop is built with the artisan community, credits them by name, and shares the benefits with them.
The team
A small core team in Hyderabad, working with resource persons, mentors, institutions and volunteers across India and our partner corridors.
Leadership
President, AVGC Vertical, CINICA Creators CouncilFounder & CMD, DIGIQUEST India Ltd
Leads the council's animation, VFX, gaming and comics vertical, connecting studios, talent and technology.
Hybrid Filmmaking™ Program
The framework unveiled at CINICATHON 2026, each pillar led by a practitioner.
From the CINICATHON 2026 stage
Filmmakers, studio founders and technologists who led the knowledge sessions on IP and AVGC-XR, Hybrid Filmmaking and creator communities, and who mentor the network.
Cinematica Expo® team
Advisors, executives and creatives who build Cinematica Expo®, led by P. G. Vinda (Chairman & Managing Director) and Panja Shravan Kumar (Executive Director).
Fellowships, Frames of Founders and the Creator Academy, from first idea to enterprise.
AI cinema, virtual production, motion capture, XR and digital humans labs.
Government, institutional, CSR and international corridor partnerships.
The convergence expo: zones, delegations, screenings and awards.
Hybrid Filmmaking™, the CINICA Stack™ and policy research.
The Creator Network, Cine Creators Organisation, mentors and volunteers.
How talent, ideas, money and audiences connect through us.
The CINICA ecosystem
Talent, IP, capital, distribution and visibility move between our eight units. Choose a flow to see how value travels through the network, or select a unit to read what it does.
In simple words: Think of CINICA as a small city with eight buildings: labs, a market, a forum, an expo and more. Walk into any one, and we make sure talent, ideas, money and audiences can move between them to reach you.
The CINICA Stack™
Every storyworld moves through the same five layers. We build capability, partners and funding at each one, so creators keep ownership as their IP grows.
In simple words: Every project climbs the same five steps, from a story idea to money in the bank. We help at each step, so you never have to sell your idea cheaply just to survive.
Global partnerships
Collaboration corridors with eight creative economies, for co-production, talent exchange, technology and market access.
In simple words: We connect Indian creators with eight countries, so they can make films together, learn new tools and sell their work abroad.
| From | Corridor | Focus | Pathway |
|---|---|---|---|
| HYD | Japan | Anime, gaming, media | Co-production |
| HYD | Korea | Webtoon, K-content formats | Format exchange |
| HYD | Canada | VFX, animation | Co-production |
| HYD | Australia | Animation, virtual production | Talent exchange |
| HYD | UAE | Co-financing, distribution | Market access |
| HYD | France | Animation, comics, festivals | Festival markets |
| HYD | United Kingdom | VFX, storyworld IP | Co-production |
| HYD | Singapore | Creative deeptech, regional reach | Market access |
LED volume stages AI & previs studios Film tourism districtInfrastructure
A film city built for how cinema is now made. Hybrid Film City brings virtual production stages, capture labs, AI studios, post-production and film tourism into one campus, designed around the Hybrid Filmmaking™ pipeline.
Institutional collaborators
Step by step programmes that turn an idea into a business.
Programs · Seven worlds

India's landscapes, monuments and living traditions are storyworlds waiting to be built. We turn heritage and locations into film tourism corridors, eco-cinema and cultural IP that communities own.

From feature films to animated series, we back original stories from first draft to global release. Our Cinematica Mobile Feature Film Mission proves a studio-grade feature can be made on a phone.

AI co-direction, virtual production, XR and digital humans are rewriting how cinema is made. Our labs give Indian creators hands-on access to the tools, with ethics and attribution built in.

Games are interactive cinema and India's fastest growing audience. We incubate studios, train real-time engine talent and build original game IP from Indian storyworlds.

The next great creative companies will build tools, not only content. CINICATHON and our accelerator take creative deeptech founders from prototype to incorporated studio.

Classical dance, music and theatre carry centuries of craft. Motion capture, volumetric video and immersive stages bring these performances to new audiences without losing their grammar.

Stories earn their value when they travel. We build the co-production corridors, licensing pathways and market access that take Indian IP to audiences in every region.
Our programmes
Six programmes that carry creators from first idea to a studio, a product or a global audience.
In simple words: Pick the programme that matches where you are today: just an idea, a small team, or a company ready to grow.
12 & 13 December 2026 · CapstoneCreative technology and business, on one floor. India's convergence expo for the future of cinema.
27 June 2026 · NI-MSMECreativity to enterprise. Four knowledge sessions, four award categories and a Union Minister's endorsement.
Cinematic fitnessCreator transformation. Screen-ready fitness, discipline and presence for performers and creators.
RAMP · NI-MSMEEntrepreneurial stories. Nine district programmes across Telangana in August 2026, reaching 1,081 founders.
AI · XR · Virtual productionWorking labs where creators get hands-on time with the tools reshaping production.
Storyworld IPFrom idea to global IP. Characters, lore and rights planned so creators keep ownership as the world grows.
Frames of Founders · The Telangana dispatch 2026
Between 5 and 31 August 2026, Frames of Founders took one programme format across Telangana on the theme of Creative Industries Entrepreneurship. Delivered under the RAMP Project with NI-MSME, co-organised by CINICA Creators Council and powered by Cinematica Expo, it went looking for the creative enterprises that institutions rarely see: photographers, filmmakers, weavers, designers and first-generation founders.
In simple words: In one month we ran the same founder programme in nine districts, so creators outside big cities got the same chance as those in Hyderabad.
The nine programmes
| Date | Host district | Districts represented | Reach | Participants |
|---|---|---|---|---|
| 05 Aug | Rangareddy | Rangareddy, Vikarabad, Medchal Malkajgiri | 3 | 119 |
| 12 Aug | Warangal | Warangal, Hanumakonda, Mulugu, Jayashankar Bhupalpally | 4 | 142 |
| 14 Aug | Karimnagar | Karimnagar, Rajanna Sircilla, Peddapalli, Jagtial | 4 | 140 |
| 19 Aug | Khammam | Khammam, Mahabubabad, Bhadradri Kothagudem | 3 | 106 |
| 21 Aug | Nalgonda | Nalgonda, Suryapet | 2 | 71 |
| 25 Aug | Mahbubnagar | Mahbubnagar, Narayanpet, Nagarkurnool, Wanaparthy, Jogulamba Gadwal | 5 | 177 |
| 27 Aug | Medak | Medak, Sangareddy, Siddipet | 3 | 106 |
| 29 Aug | Nizamabad | Nizamabad, Kamareddy, Nirmal, Adilabad | 4 | 139 |
| 31 Aug | Yadadri Bhuvanagiri | Yadadri Bhuvanagiri, Jangaon | 2 | 81 |
Participants as recorded on each programme's signed admission register.
The method
The same three-session day ran in every district, delivered by the same resource persons, so the nine programmes can be read against one another. Each day closed with an interactive hour and a networking lunch that brought founders from neighbouring districts into one room.
From district hall to industry





“The youth should strive to reach a stage where they create history rather than merely become a part of it.” P. G. Vinda, Mahbubnagar, 25 August 2026
Music is a business too. Here is how we back music makers.
Music & music tech
Music is a creative industry in its own right, and India’s is going global and going independent. CINICA backs musicians, producers, sound designers and music tech founders as creative entrepreneurs, alongside film, gaming and animation.
In simple words: If you make music, it can be a business too: protect your songs, release them yourself and earn every time someone plays or uses them.
Sources: EY and FICCI music and digital consumption study, April 2026. Spotify Loud & Clear India, 2026.
Copyright, publishing and neighbouring rights made practical: split sheets, metadata, ISRC and ISWC codes, and registration with Indian collecting societies, so creators keep their masters and get paid.
Spatial audio and immersive mixing, real-time music for games and XR, and AI music tools used with consent and clear attribution, inside the CINICA Labs.
Business models for independent artists and labels: direct fan revenue, catalogue strategy, brand partnerships, and the Udyam and Startup India pathways CINICA already runs for creators.
Connecting composers and producers with films, series, games, ads and animation across the CINICA network, so every score in the Hybrid Filmmaking™ pipeline is a licensing opportunity.
Using our international corridors for co-writing, showcases and distribution, because Indian music now earns a large share of its streaming income outside India.
Listening sessions, music tech demos and creator showcases at Cinematica Expo® and CINICATHON, with a music track for producers, sound designers and music tech founders.
The music entrepreneur pathway
Real studios and tools: AI, virtual production, motion capture.
For software engineers and tech companies
The next blockbuster will be built by engineers. Real time engines, AI, cloud pipelines and capture systems now sit at the heart of film, games and immersive media. If you write software, the creative industries are your next big career, and the builders who move first will shape it.
Game engines, AI, cloud and graphics are the new tools of cinema. The industry needs engineers more than ever.
Your code ends up on a cinema screen, in a game millions play, or in a heritage site people walk through.
Tools, pipelines and IP you create can become products and companies, not just billable hours.
Studios worldwide outsource animation, VFX and post work to India, and India now offers incentives for such services.
Three steps. Under a minute. Leave knowing exactly where you fit.
Builders Guild intake is open. Engineers who join now get first access to lab tracks, CINICATHON challenge briefs and Cinematica Expo® builder passes. The Expo opens in soon.
Claim your Creator PassInnovation labs
In simple words: Our labs are real working studios. You can actually use AI tools, LED screen stages and motion capture suits here, not just look at them.
Use AI to plan, test and finish films faster, with artists in charge.
Shoot in front of giant LED screens that show any world, inside one studio.
Record how a body, face and hands move, and give it to a digital character.
Build stories people step inside, with VR headsets or AR on a phone.
Create realistic digital actors and avatars, only with the person's permission.
Turn one good story into a universe that can feed many films, games and books.
Artificial intelligence, immersive technologies and storyworld economies, joined into a single cinematic pipeline. Hybrid Filmmaking™ is how CINICA teaches, funds and produces the next generation of Indian cinema.
In simple words: Hybrid Filmmaking™ mixes a real camera crew with computer made worlds and smart AI tools, so a small team can make a film that looks big, faster and at lower cost.
Script, characters and lore are designed as a world from day one, ready for every format.
Generative previs and concept art compress months of pre-production into weeks.
LED volumes and real-time engines put the finished world on set, in camera.
Motion and facial capture turn performance into data that can live in film, games and XR.
One production feeds cinema, OTT, games, immersive venues and fan economies.
Intellectual property notice. Hybrid Filmmaking™, its framework, curriculum architecture and methodology are the intellectual property of CINICA Creators Council. Copyright registration has been filed with the Copyright Office, Government of India. Licensing and institutional adoption: info@cinica.org.
Open calls. Pick one and step in today.
Open calls
Every opportunity CINICA runs, in one place. Choose one and the enquiry form fills itself in for you.
In simple words: Pick what you want to do with us, click it, and the form at the bottom fills itself in. We reply within two working days.
Twelve months of funded creative development for exceptional talent across all seven worlds.
Apply or enquire 12 & 13 Dec 2026Exhibit, speak, showcase a project or volunteer at the capstone convergence expo in Hyderabad.
Apply or enquire Register interestBring a team to the creative-tech olympics. Hackathons, creator battles and startup showcases.
Apply or enquire Phase twoBring the one-day founder programme to your district, campus or institution.
Apply or enquire RollingHands-on time in the AI cinema, virtual production, capture, XR and storyworld labs.
Apply or enquire Register interestA Creative DeepTech accelerator on a non-equity seed grant model, for founders building tools and studios.
Apply or enquire Always openShare your craft with emerging creators at labs, programmes and Cinematica Expo.
Apply or enquire Always openCo-design labs, cohorts, skilling and Hybrid Film City with our partnerships team.
Apply or enquireWays in
Join the creator network for labs, fellowships, CINICATHON and showcase slots at Cinematica Expo.
Join the networkCo-design skilling, centres of excellence and policy programmes with our team.
Start a partnershipSponsor labs, zones and cohorts, hire talent and pilot technology with studios.
Talk to our teamTake a founding position in India's creative economy through one of five patron circles.
See patron circlesThe big ideas we bring to government and industry.
Gateways
Most creators never use the support that already exists for them. This is your map: which ministries help, which official websites to use, and the step by step road to national, state and international awards, including the Oscars.
In simple words: government websites are where you register your business, protect your ideas, get filming permissions, apply for funds and enter awards. Knowing them saves months.
Direct works with creative industries every day Indirect supports creators as businesses
The home ministry for film, TV, OTT, radio, animation and gaming. Runs film awards, festivals, censorship, filming permissions and the AVGC push.
Guardian of India's heritage, arts and archives: the source material of Indigenous IP, plus fellowships, grants and academies.
Protects your ideas and recognises your startup: patents, designs, trademarks, GI Tags and copyright, plus Startup India benefits.
Turns a creative practice into a recognised business, with access to credit, schemes and government buying.
Digital infrastructure, AI and tech parks that power animation, VFX, gaming and XR studios.
Certified skills for creative jobs, from camera to animation to sound, and entrepreneurship support.
Supports artisans and GI crafts such as Kondapalli, Nirmal and Cheriyal. Natural partners for heritage storyworlds and merchandise.
Cultural diplomacy, international exchanges and film tourism that take Indian stories and locations to the world.
India's highest film honours, given by the Government of India through NFDC: the Swarna Kamal (Golden Lotus) and Rajat Kamal (Silver Lotus).
An Indian production, with Indian nationals as key makers. Foreign co-productions must meet extra conditions in the regulations.
The film must be certified between 1 January and 31 December of the year the award covers. Books and articles can enter Best Writing on Cinema.
NFDC announces entries each year, usually with the regulations, deadlines and online form on the official site.
Fill the form, upload documents (certificate, credits, synopsis), pay the fee if any, and send the screening copy as instructed.
Independent juries for Feature, Non Feature and Writing on Cinema watch and decide. The government does not choose winners.
Winners are announced and receive a medallion, certificate and cash prize from the President of India.
Most states honour films in their language. In Telangana, the Telangana Gaddar Film Awards are run by the state film development corporation.
Each state has its own awards, language rules and categories: feature, children's, short, documentary, books on cinema and more.
Usually the film must be CBFC certified within the award year. Telangana's 2025 edition, for example, covered films certified between 1 January and 31 December 2025.
Announcements come from the state film development corporation or culture department, with forms, documents and deadlines.
Certificate, credits, cast and crew details and a screening copy, exactly as the notification asks.
A state jury selects winners, followed by a state ceremony.
The festival route builds reputation, finds sales agents and leads to other awards, including the Oscars.
Match your film to festivals by format and level: A list features, documentary, animation (Annecy), shorts. FIAPF lists accredited festivals.
English subtitles, a screener link, synopsis, director's statement, stills and a trailer. Most festivals want world or regional premieres.
Use the festival's own site or approved platforms. Fees and early deadlines vary.
Film Bazaar, Marché du Film, the European Film Market and MIPCOM connect you to buyers, coproducers and funds.
Top prizes at certain festivals can qualify a film for other awards, including the Oscars.
There are two doors for Indian films: the general categories, and the International Feature Film category.
For International Feature Film, the Film Federation of India invites producers to apply each year. For the 99th Oscars the release window was 15 October 2025 to 30 September 2026, with a run of at least seven consecutive days in a commercial theatre. A jury picks one film.
From the 99th Oscars, a non English film can also qualify by winning a top prize at Berlin, Busan, Cannes, Sundance (World Cinema Grand Jury Prize), Toronto (Platform) or Venice.
Any feature can compete for Best Picture, Director, Actor and other awards with a qualifying US theatrical run in the calendar year: seven days in one of six US metro areas (Los Angeles County, New York City, the San Francisco Bay Area, Chicago, Atlanta, Dallas Fort Worth).
An expanded release in 10 of the top 50 US markets, two of which can be international markets, plus inclusion standards.
Short films often qualify by winning at an Academy qualifying festival. Submit by the Academy's deadlines.
Submit the Academy's forms, follow its campaign rules, screen for members, and wait for nominations and the final vote.
Award rules change every year. Always read the current regulations on the official website before you apply. CINICA's team can help you plan a festival and awards strategy.
Official directory
96 government departments, regulators, industry bodies, festivals and global agencies that matter to the creative industries, in India and around the world. Tap any card to open the official website.
No match. Try a simpler word like film, music, export or tax.
For public information only. These links point to official websites so visitors can find the right authority quickly. Listing does not mean CINICA is affiliated with, endorsed by or partnered with any organisation. All names belong to their owners. Official logos and national emblems are not reproduced here, as many may only be used with permission. Directory compiled October 2026; websites change, so always confirm details on the official site.
Research & insights
CINICA's research gives governments, institutions and investors a shared language for the creative economy. Full papers are available to partners on request.
In simple words: Our research turns the creative economy into simple models and numbers, so governments and investors can decide where to help.

The expo and the hackathon where everyone meets.
Capstone edition · 12 & 13 December 2026 · Hyderabad
The convergence expo for the future of cinema. Every storytelling industry on one floor: creators, studios, technology, capital, policy and international delegations.
In simple words: Cinematica Expo® is a two day fair where everyone who makes stories for screens meets in one place: creators, studios, tech companies, investors and government.
Zone A1
27 June 2026 · International MSME Day · NI-MSME, Hyderabad
Where creativity becomes enterprise.
CINICATHON 2026 · Where creativity becomes enterprise
On 27 June 2026, International MSME Day, CINICATHON brought filmmakers, creators, students, AI innovators, investors, academia and government together at NI-MSME, Hyderabad. Its proposition: India's creators must graduate from service providers to creative entrepreneurs.
In simple words: A one day event where filmmakers, students, tech builders, investors and officials sat together, learned from experts and started building projects.
“The future of filmmaking lies in Hybrid Filmmaking: creativity integrated with DeepTech, virtual production, real-time technologies and the AVGC-XR ecosystem.”
Shri G. Kishan Reddy, Hon'ble Union Minister for Coal & Mines, as reported
Four knowledge sessions
The awards, judged on IP potential
Winning teams were felicitated by the Union Minister. The activation pathway leads from CINICATHON to Cinematica Expo® 2026 on 12 & 13 December.
“CINICATHON is a powerful platform that connects creativity, innovation and entrepreneurship, empowering India's next generation of creative entrepreneurs.”
Dr. Ashutosh A. Murkute, Director General, NI-MSME







Your people: mentors, members and your Creator Pass.
Creator network
CINICA's community spans filmmakers, animators, developers, artists, founders and mentors across India. At CINICATHON 2026 it gained a permanent home: the Cine Creators Organisation, standing infrastructure for mentorship, networking, representation and collaboration.
In simple words: Join the community to meet people like you, find collaborators and hear first about open calls and events.
Patron circles
Contributions fund labs, fellowships, scholarships and regional talent programmes. CINICA is registered under Sections 12A and 80G and on NGO Darpan, so contributions are eligible for 80G tax benefits, and every patron receives an annual impact report.
The Creator Code
If you read these and nodded, you are already one of us. Make your pass, then make it official.
Newsroom
Highlights from our LinkedIn and Instagram, plus articles that explain the creative economy in plain words.
Nine districts. One month. 1,081 founders reached across Telangana with one programme on creative industries entrepreneurship. Thank you to every district team, mentor and founder who showed up.
On International MSME Day, filmmakers, students, AI innovators, investors, academia and government came together at CINICATHON. Hybrid Filmmaking™ was unveiled with five pillars and five leads.
12 & 13 December, Hyderabad. Every storytelling industry on one floor: film, animation, VFX, gaming, comics, music, XR and AI. Exhibitors, partners and creators, get on the list now.
A simple guide to the method that lets a small Indian team make a film that looks big.
Talent is everywhere in Telangana. Access is not. Here is what changed when we took one programme to nine districts.
India holds thousands of years of stories. The world is hungry for new ones. Here is how the two meet.
Every song you make can earn for years, if you set it up right from day one.
For investors, universities and global platforms
CINICA connects talent, technology, IP and markets in one pipeline. For a venture fund that means earlier access. For a university or business school it means a living case study. For a pitch platform it means founders with real products and real stories.
India has made AVGC-XR, creative technology and the orange economy national priorities, with new centres, missions and global summits.
Real time engines, virtual production and responsible AI are cutting the cost and time of making world class content.
Thousands of years of Indian stories, languages and GI tagged crafts are still largely unbuilt as global franchises.
Millions of engineers and young creators are ready to move into creative tech, given the right path.
Early, curated access to India's creative tech and IP led startups.
A live laboratory for the creative economy, ready for teaching and research.
Founders who can tell their own story, on screen and on stage.
Tell us who you are and what you want to build together. We share a partner brief and respond within two working days.
We list a university, fund or platform as a partner only after an agreement is signed.
For governments, embassies and institutions
CINICA Creators Council works at the meeting point of creators, industry and government. We welcome partnerships with national governments, embassies, film commissions, multilateral and cultural institutions, universities and investors who want a trusted, registered partner in India's film, AVGC-XR and creative technology economy.
Creative economy policy dialogue, AVGC and IP frameworks, and knowledge partnerships with national, state and city governments.
Typical outcomeMoU, joint white paper, policy roundtable
Connecting foreign film commissions and production offices with Indian producers, studios and service companies, and India's own incentive schemes.
Typical outcomeLocation partnerships, incentive briefings
Matching Indian IP with international coproducers, distributors and platforms, using official coproduction treaties where they apply.
Typical outcomeCoproduction slate, market delegation
Creator exchanges, masterclasses, residencies and joint curricula in virtual production, animation, games and AI.
Typical outcomeExchange programme, joint certificate
Heritage storytelling, GI craft storyworlds and festival showcases that carry Indian culture abroad and bring world culture to India.
Typical outcomeCountry showcase, cultural season
Structured routes for foundations, corporates and investors to back creators, labs and Indigenous IP with transparency.
Typical outcomeFund partnership, CSR programme
Dedicated points of contact for delegations and institutions from:
Cinematica Expo® 2026 on 12 & 13 December in Hyderabad offers country pavilions, B2B meetings and G2G sessions for visiting delegations.
Official channels. Only these represent CINICA Creators Council:
CINICA never asks for payments to personal accounts. Registration certificates and governance documents are shared with partners on request.
Plain answers
The creative industry loves big words. Here is what they actually mean, and answers to the questions people ask us most.
No. Many members start with only an idea. Our programmes begin from basics and grow with you.
No. We are not a school or an agency. We are a non-profit council that helps creators learn, build and own their work, with partners for training, labs and funding.
No. Work you create in our programmes stays yours unless a separate written agreement says otherwise. Protecting creator ownership is the reason we exist.
Yes. Frames of Founders ran in nine districts, and many programmes and the community work online. Tell us where you are in the form below.
It depends on the programme. Several open calls are free. Ask about any programme through the form and we will tell you clearly.
CINICA is registered under 12A and 80G, so eligible donations can be claimed under Section 80G. Choose Patron circles in the form and we will guide you.
Through co-productions, lab partnerships, hiring from our talent network, sponsorship at Cinematica Expo® or CSR partnerships. Choose Partnership in the form.
12 and 13 December 2026 in Hyderabad. Use "Get on the list" at the top of the page to hear first.
Contact
Foundations, studios, governments, universities, founders and creators: tell us what you want to build and we will reply within two working days.
CCC · Level 4 · Seat 4F-226A Our office · T-Hub, Hyderabad
Look for the stacked grey building with the red T-Hub roundel on Inorbit Mall Road, Madhapur. CINICA Creators Council works from Seat 4F-226A on the fourth floor.

CINICA Creators Council
Seat 4F-226A, T-Hub
20, Inorbit Mall Rd, Vittal Rao Nagar, Madhapur
Hyderabad, Telangana 500032
Last updated 2 October 2026
The rules for using cinica.org, sending us enquiries and taking part in what we run.
This website, www.cinica.org, is operated by CINICA Creators Council (“CINICA”, “we”, “us”), a company incorporated under Section 8 of the Companies Act, 2013, with its office at Seat 4F-226A, T-Hub, 20, Inorbit Mall Rd, Vittal Rao Nagar, Madhapur, Hyderabad, Telangana 500032. By using this website you agree to these terms. If you do not agree, please do not use the website.
You may browse, read and share links to this website for personal, educational and non-commercial purposes. You agree not to misuse the website, attempt unauthorised access to it, interfere with its operation, collect its content at scale by automated means, or use it for any unlawful purpose.
We work to keep information accurate and current. Programme details, dates, venues, speakers and partners may change. Descriptions of initiatives in development, such as Hybrid Film City, describe plans and intent and are not binding offers. Nothing on this website is legal, financial or tax advice.
Submitting an enquiry or application through this website does not create a contract, membership, partnership or guarantee of selection. Participation in any programme, lab, residency, event or Cinematica Expo® is subject to its own terms, eligibility criteria and any written agreement we sign with you.
Contributions to CINICA are voluntary. CINICA is registered under Sections 12A and 80G of the Income-tax Act, 1961, and on the NGO Darpan portal of NITI Aayog. Eligibility for deduction under Section 80G of the Income-tax Act, 1961 is subject to applicable law and to the receipt we issue. Patron and donor recognition is confirmed in writing at the time of contribution.
If you send us pitches, portfolios, scripts, artwork or other material, you keep ownership of it. You allow us to review it only for the purpose you sent it, and we will not publish it without your consent. Please do not send confidential material unless we have agreed in writing to receive it on a confidential basis.
We use the details you share through our forms only to respond to you and to run the programme or partnership you asked about. We do not sell personal information. You may ask us to correct or delete your details by writing to info@cinica.org. We handle personal data in line with applicable Indian law, including the Digital Personal Data Protection Act, 2023.
This website links to third party services such as LinkedIn, Instagram, Google Maps and partner websites. Their own terms and privacy policies apply, and we are not responsible for their content or practices.
The website is provided “as is” and “as available”. To the extent permitted by law, CINICA is not liable for any indirect, incidental or consequential loss arising from your use of the website or reliance on its content.
We may update these terms from time to time. The date at the top shows when they last changed. Continued use of the website after a change means you accept the updated terms.
These terms are governed by the laws of India. The courts at Hyderabad, Telangana have exclusive jurisdiction over any dispute arising from them.
Questions about these terms can be sent to info@cinica.org.
Last updated 2 October 2026
What CINICA owns, what you are free to use, and how to ask for more.
© 2026 CINICA Creators Council. All rights reserved. The text, design, graphics, layouts, diagrams, illustrations, video and the selection and arrangement of content on this website are protected under the Copyright Act, 1957 and international copyright treaties.
Hybrid Filmmaking™, the CINICA Stack™ and their associated frameworks, curricula, pipelines, methodologies and training materials are the intellectual property of CINICA Creators Council. Copyright registration for Hybrid Filmmaking™ has been filed with the Copyright Office, Government of India. The research frameworks published on this website, including the Film Lifecycle Model, the Six Mantra Strategy and the IMAGE 2.0 Blueprint, are also CINICA’s intellectual property. None of these may be reproduced, adapted, taught or offered commercially without a written licence from CINICA.
Cinematica Expo® is a registered mark. CINICA, CINICA Creators Council, Hybrid Filmmaking™, CINICA Stack™, Fit to Films™, CINICATHON, Frames of Founders and their logos are names and marks used by CINICA Creators Council. They may not be used in any way that suggests our endorsement, sponsorship or affiliation without written permission.
You may view this website, share links to it, and quote short extracts with clear attribution: “Source: CINICA Creators Council, cinica.org”. Media may use press material we supply for news reporting.
Written permission is required to reproduce images, diagrams, curricula or substantial text; to use our frameworks in training, consulting, products or publications; to frame or mirror this website; or to use its content to train or refine artificial intelligence models.
Work created by participants in our programmes, labs and hackathons remains the participant’s own, unless a separate written agreement says otherwise. Where CINICA co-develops IP with creators, ownership, credit and revenue terms are agreed in writing.
Programme photographs were taken at CINICA events and are shown in that context. Partner names and logos belong to their respective owners and appear to indicate collaboration. Illustrative artwork on this website depicts concepts and future plans. If you appear in a photograph and would like it removed, write to us and we will act on your request.
If you believe material on this website infringes your rights, or that someone is misusing CINICA’s IP, email info@cinica.org with the subject “IP notice”. Include the work concerned, where it appears, your contact details and a statement that your notice is made in good faith.
Institutions, studios and training partners can license Hybrid Filmmaking™ and related curricula. Start a licensing enquiry.
Enter to open · Esc to close · Ctrl K to search anywhere
IP means Intellectual Property: ownership of things that come from the mind, such as a story, a character, a song or a design.
If you sell your idea outright, you get paid once. If you keep the IP, you earn every time it becomes a film, a game, a toy or a show in another country.
Most creators in India work for a fee and own nothing. CINICA exists to change that, so that creators build assets, not just invoices.
Quick check
You sell your story for a one time fee. Who earns when it becomes a hit series?
Right. Whoever owns the IP earns from its success. Keep it, or license it, but do not give it away.
A GI Tag (Geographical Indication) is a government registration that links a product to the place and community that made it famous, like Kondapalli Bommalu or Pochampally Ikat.
It stops outsiders from selling copies under the famous name, and it adds value and trust for buyers.
For storytellers, every GI craft also carries characters, colours and legends. That makes it the raw material for original Indian IP.
Quick check
What does a GI Tag protect?
Correct. A GI Tag protects the name and origin. Stories made from it need copyright too.
Copyright protects creative work: scripts, drawings, music, films, photos and software.
It exists automatically the moment you create the work, but registering it with the Copyright Office gives you strong proof if someone copies you.
Always keep dated drafts, and get written agreements when you work with others, so everyone knows who owns what.
Quick check
When does copyright begin?
Yes. It starts at creation. Registration is your proof.
A trademark protects a name, logo or symbol that tells buyers who made something.
If your show, studio or character becomes popular, a trademark stops others from selling products with that name.
Search existing trademarks before you choose a title, then file early. It is one of the cheapest protections and one of the most valuable.
Quick check
Your series title is becoming famous. What protects it on toys and T shirts?
Exactly. Titles and logos are protected by trademarks.
Big entertainment companies rarely earn from just one film. They build a storyworld that feeds many products: films, series, games, comics, toys, music, events.
This is called transmedia. It begins with a story bible: the characters, places and rules of your world, written down.
Plan the products early, and protect each layer, so every new format adds income instead of risk.
Quick check
What is the first document for building a storyworld?
Right. A story bible holds the world together across every format.
Virtual production means filming actors in front of giant LED screens that show a computer made world in real time.
The camera is tracked, so the background moves correctly as the camera moves, and the director sees the final look on set.
It saves travel, gives better light on actors and lets small teams create big looking scenes. CINICA runs a lab where creators can train on it.
Quick check
What shows the background in virtual production?
Correct. LED screens show the world live, unlike green screen.
Creative projects are funded in stages: first small grants or competitions to prove the idea, then partners, sponsors or investors to build it, then sales or licensing to scale it.
Funders want to see three things: a clear idea, proof that people want it, and protected ownership.
Government schemes for startups and MSMEs, CSR programmes and co-productions are all routes CINICA helps creators explore.
Quick check
Which of these makes investors most confident?
Yes. Proof plus protection is what turns interest into investment.
A business identity opens doors: bank accounts, contracts, government schemes and payments from abroad.
Udyam registration recognises you as a micro, small or medium enterprise. DPIIT recognition under Startup India supports innovative ventures. An IEC lets you work with clients outside India.
You can start small, as a sole proprietor, and grow into a company. CINICA guides creators through these steps.
Quick check
Which registration lets you work with clients outside India?
Correct. An IEC lets you trade across borders.
A simple guide to the method that lets a small Indian team make a film that looks big.
Traditional filmmaking needs big sets, travel to many locations, and months of work after the shoot. That is why only a few large studios can make films that look truly big.
Hybrid Filmmaking™ is CINICA's own method that mixes three things. First, a real camera crew and real actors. Second, virtual production: giant LED screens that show a computer made world behind the actors, so a desert, a palace or a spaceship can be filmed inside one studio. Third, AI tools that help plan shots, build rough versions of scenes and speed up dubbing.
The result is simple: a smaller team can shoot more in less time, see the final look while filming, and spend money on story instead of logistics.
CINICA teaches this method through its labs, funds projects that use it, and helps creators keep ownership of what they make. It was unveiled at CINICATHON 2026 with five pillars: cinematic craft, artificial intelligence, virtual production, immersive media and business innovation.
Talent is everywhere in Telangana. Access is not. Here is what changed when we took one programme to nine districts.
Between 5 and 31 August 2026, CINICA ran Frames of Founders across nine districts of Telangana on one theme: creative industries entrepreneurship.
Every district received the same format, the same quality of speakers and the same tools. Across the month the programme reached 1,081 founders and aspiring founders.
Three lessons stood out. One, creative talent outside big cities is strong, but rarely knows that a story, a design or a song can become a registered business. Two, the first questions are practical: how to register, how to protect an idea, how to get the first customer. Three, people want to keep learning together after the event.
That is why the next step is a permanent network: so founders from every district can reach labs, mentors, markets and each other, all year round.
India holds thousands of years of stories. The world is hungry for new ones. Here is how the two meet.
Global audiences now watch stories from Korea, Japan, Spain and Nigeria without a second thought. Language is no longer a wall; story is the passport.
India holds one of the deepest story libraries on earth: the Mahabharata and Ramayana, the Panchatantra, Sangam literature, the Kathasaritsagara and thousands of regional legends. Most of it has never been built into a modern universe of films, games and series.
Building a storyworld means more than adapting a tale once. It means designing characters, places and rules that can carry many formats for many years, and registering that work as intellectual property.
CINICA helps creators do exactly that: research the source with respect, shape it into an ownable universe, prove it with visuals, produce it with new technology and take it to global screens, with the rights staying in India.
Every song you make can earn for years, if you set it up right from day one.
Many talented musicians earn once for a song and never again. The difference between a one time fee and a lifetime of income is usually paperwork, not talent.
Step one: agree in writing who wrote what, using a simple split sheet, before you release anything. Step two: register your songs with the right collecting societies so you are paid when they are played or performed.
Step three: add proper details to every release, including codes such as ISRC, so platforms know whom to pay. Step four: release through a distributor that lets you keep your masters. Step five: pitch your music for films, ads and games, known as sync licensing.
CINICA's Music Rights Clinic and Music Tech Lab help artists through each of these steps, and connect them with screen projects across our network.